Ben le son est vraiment pas mal, chaud, rond puissant, je ne suis pas trop tritureur de synthés mais là ! c'est fastoche comme tout,intuitif et utilisable à la souris sans lunettes, la bébete tourne en MAS sous DP 4.12 sans aucun probleme, on peut y entrer un signal audio externe ou une piste de DP pour les passer à la moulinette des LFO et du tralala, brefle du bonheur pour 1500 balles. A écouter en demo à l'apple expo sur le stand du distributeur (qui le vend sur place 230 rots) y'a aussi des demos sur www.motu.com
zou !
MOTU MX4
voici les specs. techniques pour les afficionados :
le truc tourne en
MAS (OS X)
RTAS (OS X)
Audio Units (OS X)
(bye OS9!)
- Multi-architecture synthesis engine — wavetable, frequency modulation (FM), amplitude modulation (AM) & analog emulation.
- Unlimited voices, polyphony and instantiations (as many as your host computer allows).
- Sample-accurate playback (with host applications that support this OS X feature).
- Plug-in convenience — all settings are saved with host software projects for instant recall.
- Modulatable effects – built-in chorus and delay effects are integrated into MX4’s modulation architecture and are saved as part of the patch.
- Three wavetable oscillators — choose from dozens of wavetables or create your own.
- Audio input — process any audio signal with MX4’s flexible synthesis engine in real time.
- Modulatable waveform symmetry — create and automate dynamic changes in harmonics.
- Oscillator sync — create hard sync effects, just like the legendary Sequential Circuits Prophet Five™ and other classic polysynths.
- Frequency modulation (FM) — oscillator 3 serves as an FM source for oscillator 1, oscillator 2 and the filters.
- Two resonant multimode filters — use low-pass, high-pass, band-pass and notch filters with 4 slope settings for a total of 16 different filter types. Create a wide variety of vintage keyboard sounds. Or stack both filters for 48dB per octave.
- Variable Filter Topology™ — use 14 different filter and distortion configurations to produce over 3,000 different filter topologies, before you even begin tweaking filter parameters.
- Six variable waveshape LFOs — each includes adjustable symmetry, rate delay, fade & phase.
- Four DADSHR envelopes. Envelope time segments adjustable from 0 to 20 seconds.
- Modulation sources — all continuously variable parameters, including LFOs and envelopes, can be modulated by many sources, including track automation, MIDI controllers, LFOs & envelopes. Simply choose a source from a menu and then option-click the MX4 knob or fader that you wish to control with it.
- Open modulation architecture — each source can modulate an unlimited number of parameters simultaneously, providing the highest degree of programming flexibility possible. Conversely, any parameter can be simultaneously modulated by multiple sources
Manuel et programme en anglais of course, promo à l'apple expo : 230 euros
le truc tourne en
MAS (OS X)
RTAS (OS X)
Audio Units (OS X)
(bye OS9!)
- Multi-architecture synthesis engine — wavetable, frequency modulation (FM), amplitude modulation (AM) & analog emulation.
- Unlimited voices, polyphony and instantiations (as many as your host computer allows).
- Sample-accurate playback (with host applications that support this OS X feature).
- Plug-in convenience — all settings are saved with host software projects for instant recall.
- Modulatable effects – built-in chorus and delay effects are integrated into MX4’s modulation architecture and are saved as part of the patch.
- Three wavetable oscillators — choose from dozens of wavetables or create your own.
- Audio input — process any audio signal with MX4’s flexible synthesis engine in real time.
- Modulatable waveform symmetry — create and automate dynamic changes in harmonics.
- Oscillator sync — create hard sync effects, just like the legendary Sequential Circuits Prophet Five™ and other classic polysynths.
- Frequency modulation (FM) — oscillator 3 serves as an FM source for oscillator 1, oscillator 2 and the filters.
- Two resonant multimode filters — use low-pass, high-pass, band-pass and notch filters with 4 slope settings for a total of 16 different filter types. Create a wide variety of vintage keyboard sounds. Or stack both filters for 48dB per octave.
- Variable Filter Topology™ — use 14 different filter and distortion configurations to produce over 3,000 different filter topologies, before you even begin tweaking filter parameters.
- Six variable waveshape LFOs — each includes adjustable symmetry, rate delay, fade & phase.
- Four DADSHR envelopes. Envelope time segments adjustable from 0 to 20 seconds.
- Modulation sources — all continuously variable parameters, including LFOs and envelopes, can be modulated by many sources, including track automation, MIDI controllers, LFOs & envelopes. Simply choose a source from a menu and then option-click the MX4 knob or fader that you wish to control with it.
- Open modulation architecture — each source can modulate an unlimited number of parameters simultaneously, providing the highest degree of programming flexibility possible. Conversely, any parameter can be simultaneously modulated by multiple sources
Manuel et programme en anglais of course, promo à l'apple expo : 230 euros
Apple MacPro OctoCore 2.8 (2008) 8Go ram 1.5To raid0, iMac Alu 20Pcs et MacBook, MOTU, Genelec, Focusrite, Rode, Fostex, Korg, Mackie, Gibson et tout le tralala
-Audio - Video - Graphisme-
-Audio - Video - Graphisme-
-
Dorian
- Fondateur
- Messages : 14363
- Inscription : 17 juin 2003, 18:21
- Localisation : Clamart
- Contact :
Comme l'a souligné Guibson, la version 2 arrive aussi...
Si quelqu'un connait les prix de la MAJ, a essayé une béta, ou veut nous concoter un petit banc d'essai, welcome
(Guibson peut-être? Vite fait? 
).
Bye.
Si quelqu'un connait les prix de la MAJ, a essayé une béta, ou veut nous concoter un petit banc d'essai, welcome
(Guibson peut-être? Vite fait? ).Bye.
Dernière modification par Dorian le 30 janv. 2005, 20:21, modifié 1 fois.