J'ai revu hier soir Cast Away (Seul au monde) de Robert Zemeckis, sur un système Home Cinema (5.1 quoi) bien réglé, et j'ai été super bluffé par le boulot sur le son...
Pour rappel, voilà l'équipe son:
Ca fait rêver, non?Sound Department
Eleanor Beaton .... foley assistant
Jessica Bellfort .... supervising assistant sound (as Jessica Bellfort Rankin)
Derek Casari .... adr engineer
Tony Eckert .... foley mixer
Ken Fischer .... sound effects editor
Sue Fox .... foley editor
Andrea S. Gard .... foley editor (as Andrea Stelter Gard)
David C. Hughes .... sound effects editor
Robert Jackson .... boom operator
Tom Johnson .... sound re-recording mixer
William B. Kaplan .... production sound mixer
Stephen Kearney .... sound effects editor
Dennis Leonard .... supervising sound editor
David Lucarelli .... adr recordist
Marilyn McCoppen .... adr supervisor
Marilyn McCoppen .... dialogue supervisor
Stuart McCowan .... assistant sound designer
Frank 'Pepe' Merel .... foley recordist
Peggy Names .... boom operator (as Peggy A. Names)
Charleen Richards .... adr mixer
Earl Sampson .... boom operator (as Earl F. Sampson)
Dennis S. Sands .... sound re-recording mixer (as Dennis Sands)
Larry Schalit .... dialogue assistant
Steve Slanec .... adr assistant
Erich Stratmann .... assistant sound effects editor
Ewa Sztompke .... dialogue editor (as Ewa Sztompke-Oatfield)
Randy Thom .... sound designer
Randy Thom .... sound re-recording mixer
Dennie Thorpe .... foley artist
Jana Vance .... foley artist
Brian Chumney .... digital sound technician (uncredited)
Sean England .... machine room operator (uncredited)
Thomas Giordano .... sound reinforcement (uncredited)
David Hunter .... digital sound technician (uncredited)
Brian Magerkurth .... machine room operator (uncredited)
Larry Oatfield .... conforming sound editor (uncredited)
Chris Pinkston .... sound technician (uncredited)
Ronald G. Roumas .... sound re-recordist (uncredited)
Mac Smith .... apprentice sound designer (uncredited)
Doug Winningham .... assistant sound effects editor (uncredited)
En tout cas le mixage est très audacieux en terme de spacialisations (respet total de l'espace sonore vis à vis du cadre), en fait réaliste au premier degré.
Les bruitages faits en post prod sont assumés et affirmés, qu'il s'agisse de la partie "civilisée" (bruits d'aéroprts et d'avions, presque assourdissants sous la voix), qu'insulaire (très beau boulot sur les plages, et les bruitages).
A mon sens une référence, merci à toi Randy Thom...
Bye.